By this I mean that we no more have a shut system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported as Le Petit Bateau De Papier Chanson getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities Avion En Papier Planeur Qui Vole Longtemps of a model achieved solely by folding.
Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, but the most extreme form only occurs in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive width. The most recent talk about of the techniques is by Toshie Takahama who refers to
Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling It is now usual in animal folds to call for a final modelling particularly if foil has already been used and one can make certain of the materials remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modelling following the folding The technique of wetting the paper appears to be Japanese in origin Origami Crane Instructions was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of damp moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The retracts tend to be soft and we are approaching sculpture rather than Origami.
Fleur en papier
The cutting out of holes etc. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri Origami Box Star (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and evidently here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its easiest form we may use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. Probably the most unusual form of 'display mechanics' that I am acquainted with is by Toyoaki Kawai.
Bateau en papier
Typically the associated arts are Origami Easy Heart Weaving cloth and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to represent some part of the animal and
then brought collectively. The concept may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have appeared for folding a monster from a quantity of potager of different sizes.
Comment faire un avion en papier
Inside the most extreme combinations of water and document we are, naturally , in the world of papier-mache which is plainly an open-ended art. DecoratingThe easiest step from your single color is one side colored and one white or plain. A great offer of modern Origami uses this colour difference. The delightful example is Joan Homewood's Robin. We can use Video Construire Un Bateau En Papier the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design well suited for an exclusive model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bow and finally string.